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Nr. 431

Giglio 

Incredible Tuscan landscapes, nestled between the sandy beaches of Tuscany and historic towns like San Gimignano

4 Bedrooms 8 Max persons - High 2600.- € Mid 2100.- € Low 1600.- €

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GIGLIO - A delightful private villa in Maremma with private pool and stunning views
Best of both worlds, this vacation villa rental is close to the sandy beaches of the Tuscany coast line and one foot in the gently sloping hills of the historic towns of Pisa, San Gimignano and Volterra.
There are four bedrooms and four bathrooms in this Italian villa rental for up to 7 persons set on over 500 hectares of family estate - perfect for space and luxury. Offers a one of a kind opportunity to explore the authentic Tuscan atmosphere and exciting nearby towns filled with quaint streets to stroll and delicious restaurants to taste.

SPECIAL SERVICES: Free use of an umbrella and 2 sun loungers on the beach once a week; and a free pass on the gym of Cecina. See more information inside.


  

Giglio

(Floorplan Nr.1) (Panorama 360° Nr.1)

  Season
  Year Bedrooms Bathrooms Max persons High Mid Low
Reserve now 2010 4 4 8 + 0 2600.- €  2100.- €  1600.- € 
Reserve now 2011 4 4 8 + 0 2800.- €  2200.- €  1800.- € 
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Tuscany art, life and flavors

here you find more than 100 elaborated articles and pictures regarding different aspects of your Tuscan holiday!

Conchiglie con broccoli e panna Cooking Classes in your Villa & Guest Recipes

Pasta Shells with broccoli and cream

Sandro Botticelli Art and Architecture in Tuscany

Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello ("The Little Barrel"; March 1, 1445 – May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art.

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